Eve, the Devil, and Radical Critique
Many feminist thinkers have rightly criticized the story of original sin (in which Eve ruins paradise in Eden by eating the forbidden fruit) as a patriarchal story that reinforces the idea that women are inferior and secondary to men. The story locates sin, fall from paradise, human suffering, etc., in the actions of women. The story even goes as far as to say that women are “the devil’s gateway.”1 This is an important critique because it shows the ways in which many religions exist as institutions that uphold patriarchy (and more). However, I want to present a different interpretation of original sin. This interpretation views Eve as the hero of the story (though it by no means gives credit to the authors for having consciously created a story with such an interpretation).
In “The Metamorphoses of the Devil,” Henri Lefebvre theorizes god as the protector of what is considered good or right or normal—the enforcer of rigid black and white dogma. The devil, on the other hand, in representing all that is “bad,” Lefebvre theorizes as the arbiter of radical critique, of questioning norms and assumed wisdom. For Lefebvre, the devil is that which injects grey into god’s black and white image of the world.
If we read original sin through this lens, it changes the story completely. God forbids humanity to gain new knowledge because what we know in the present moment is perfect. Any knowledge beyond that is the work of the devil. As Lefebvre says, “the astonishment which is the first step towards knowledge [and] the quest for knowledge … are [both] attributed the Prince of Evil.”2 This is true insomuch as the devil urges Eve to eat the fruit, to gain new knowledge and not accept the inhumane contempt of curiosity in Eden. I say inhumane because, as Lefebvre posits, “by relegating knowledge to the margins of a life … making it synonymous with [evil],” we create a world in which we implicitly think “there is something terrible about knowledge.”3 In such a world, we take “the qualities which make human beings human, [such as curiosity, creativity, and so on], and [relegate] them to the category of crimes.”4
Viewing the story this way, god is a totalitarian dictator for whom a bevy of human qualities are unacceptable and the devil is radical critique of god’s society. The devil and Eve are the defenders of human curiosity and creativity. The original sin is the original radical critique. It is the rebellion against totalitarian Eden. It is humanity proclaiming that its most human qualities will not be criminalized, but celebrated. Eve may be a sinner in the eyes of god, but she should be a hero in the eyes of humanity.
There is indeed a “sin” of sorts involved in the search for new knowledge, but not one we should fear. This search radically critiques existing knowledge, disproving it, rearranging it, adding onto it—destabilizing it. Learning is inherently destabilizing because new knowledge calls into question what we thought we knew. Learning requires supreme vulnerability because in order to learn you must allow your convictions to face the trial of new knowledge. For Lefebvre, there can be “no creation, no invention without a sin against what was and what wants only to be, world without end.”5 Put another way, in American Pastoral by Philip Roth, in a scene that depicts two characters arguing over the meaning of Genesis, one character says that the story tells us that “without transgression there is no knowledge.”6 Myths, Lefebvre says, “speak of power, and justify it. Only with the myth of the devil is power challenged.”7 Far from being the gateway to evil, Eve is the gateway to challenging existing power structures and dominant forces in society. That we generally think of this as evil reveals a lot about the societies we live in.
Lefebvre’s is not only an account of religious gods and devils, however. Instead, he locates the idea of god and the devil in all ideology. Lefebvre argues that throughout human history, “every era, every people, every class—and every group, every political party—has had its devil, has seen it, conjured it up, made it, lived it, pursued it, and immolated it, only to resuscitate it in order to kill it anew.”8 The devil in all these cases is knowledge that doesn’t coincide with what is supposed to be true. This is why, Lefebvre argues:9
“The good, decent, loyal materialists who liquidated Lucifer along with the Lord ended up producing—oh, irony!—a completely dualistic representation of the world: the good guys and the bad guys, us and them, positive and negative heroes. In their own particular way they have perpetuated the demonic-divine dialectic, the dialectic of good and evil, of darkness and light”
This is an important insight, because it allows us to extend the theory of the devil as radical critique to all dominant ideological forces in society. In doing so, we can see that in the same way that religions try to naturalize themselves by saying that the word of god is infallible, and that everything that came before was either wrong and/or leading up to this point when our knowledge is perfect and needs no further critique, so do all ideologies. Take liberal democracy and capitalism, for instance. At the end of the Cold War, Francis Fukuyama wrote The End of History and the Last Man, a book that claims that we have found the best political and economic systems, and that we have therefore reached the end of ideological history. We can see liberal democratic capitalism working this way, naturalizing itself, because, as Slavoj Zizek argues, “when economists say that present-day relations—the relations of bourgeois production—are natural, they imply that … these relations therefore are themselves natural laws independent of the influence of time.”10 Everything before this point was wrong and/or leading up to liberal democracy and capitalism. Any changes attempted afterwards are an attack on the god Capital and are therefore condemned as the work of the devil. Marx, who Fukuyama borrows from, likewise thought that communism would be the end of history. Although, Marx is quite vague about what communism is or would be, and he also critiqued the naturalization of capitalist relations, so we should be wary of caricaturing him. Nonetheless, Marxism as an ideology did fall victim to heavy dogmatic thinking. The point is that ideologies across the political spectrum have reproduced black and white representations of the world.
It seems to me that we should seek to avoid this naturalization of ideology if we are to avoid creating new gods and new devils. This does not mean we cannot have our convictions, but we should never try to set our convictions in stone, making them immune to critique. In doing so, we create societies in which we are humans stagnating, rather than becoming, because we put chains on our curiosity and creativity. We should strive always to be Eve, taking forbidden knowledge in the hope that we can create a society in which there is no forbidden knowledge, radical critique is continuous, and ideology never naturalized. In such a society, we would not marginalize and criminalize the qualities that make us uniquely human. We would celebrate them.
Citations
1 J’annine Jobling, “Falling in Love Again: Interpreting Transgressions and Transgressive Interpretations of Genesis 2-3,” Critical Quarterly 47.3 (2005): 79.
2 Henri Lefebvre, “The Metamorphoses of the Devil,” in Introduction to Modernity: Twelve Preludes (New York: Verso, 1995), 58.
3 Ibid., 59.
4 Ibid., 59.
5 Ibid., 59.
6 Philip Roth, American Pastoral (New York: Vintage Books, 1998), 360.
7 Lefebvre, “Metamorphoses,” 59.
8 Ibid., 58.
9 Ibid., 57.
10 Slavoj Zizek, First as Tragedy, then as Farce (London: Verso, 2009), 21.